Laura Dreyer
on the ESP Alto Gold and JodyJazz Classic Alto Mouthpiece



Laura Dreyer on the JodyJazz Alto Mouthpiece
Laura Dreyer

Laura Dreyer on the New ESP Alto Gold:
"Finally a metal alto mouthpiece that is both clear and warm, as well as bright and vibrant. I know many alto players that have been searching for a metal mouthpiece that would give them a more contemporary sound without sounding shrill, but until now there were few options. I feel as though I have finally found the sound that I have been searching for."

On the JodyJazz Classic Alto:
"I'm really glad that you turned me on to your JodyJazz alto mouthpiece. I am very impressed with the dynamic range that I am able to get on it. The mouthpiece allows me to play strong and bright when necessary, without sacrificing the ability to play extremely soft and subtone, all with a nice fat sound that feels very even throughout the entire range of the horn. In addition, I am able to get both a bright and dark sound at the same time. I've been getting a lot of compliments on my sound since I've been playing the JodyJazz alto #9. You rock and your mouthpieces rock!"

Laura Dreyers' Bio:
Laura Dreyer is a burning New York City Saxophonist/Flutist/Composer. If you haven't heard her play do yourself a favor and visit her website and check out her new CD "Mysterious Encounter" at www.lauradreyer.com Audiences have heard Laura in the bands of Dr. Billy Taylor, Rufus Reid and Akira Tana, Walter Bishop, Jr., Norman Williams, Mel Lewis, Robert Palmer, and Nnenna Freelon. She has also performed with Dr. Billy Taylor, Helcio Milito, Marilyn McCoo & Billy Davis Jr., and many others.

Laura has studied saxophone with Joe Henderson and Joe Lovano, composition with Lyle Mays and Jim McNeely and has been the recipient of three NEA grants. She teaches privately, has served on the faculties of the Jamey Aebersold jazz clinics, is currently a Faculty member of the Hoff-Barthelson Music School and regularly does clinics at high schools and colleges. Laura is a featured writer in the Saxophone Journal and is also featured in saxophonist Sue Terry's new book, "Practice Like the Pros".

 

 

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